Note: this post contains spoilers for Maquia: When the Promised Flower Blooms. Read at your own risk!
Welcome back! It’s been a rather lengthy hiatus for the blog, but after getting an opportunity to see PA Works’ new film, Maquia: When the Promised Flower Blooms, I felt compelled to write about it. I saw the film on Saturday, but even four days later, its story is still fresh in my mind. Continue reading
It’s odd to think about how I dropped off following Sugar Sugar Rune with this volume while it was still in print, because the story takes a sharp turn that reinvigorates an already solid series into something new.
The last volume ended with Chocolat and her gang joining Vanilla on a beach getaway. A mysterious force pulls Chocolat underwater. This volume opens with Vanilla getting knocked out by some ogre cohorts, bringing with them a shocking twist: Chocolat may disappear forever if she can’t resurface before Vanilla slumbers. When Chocolat doesn’t appear, the beach setting disappears from view, as do the collective memories of Chocolat and Vanilla’s friends. Continue reading
The women of Amars are off on their own doing some soul-searching following the events of the last volume. Chieko and Dofu hang out at Dofu’s studio, Mayaya and Banba are rolling down hills, and Tsukimi has wandered into Shu’s path. Kuranosuke is a bit defeated following Nisha’s lectures, but has recuperated a little bit after seeing that Jiji is interested in handling the Ops side of the brand. Continue reading
Last volume! Let’s see what’s in store here.
The opening chapter is pure fluff, introducing another character for seemingly no reason. Other than that, Yukino lets Hideaki know she’s pregnant.
In the next chapter, Yukino and Soichiro announce their post-grad plans to the school faculty and members of their family. The school is shocked, but somewhat supportive. Soji’s aunt initially tries to give Yukino a hard time for her plans, but later relents, much to the family’s surprise. Continue reading
More Sugar Sugar Rune is always fun! True to its name, it can be saccharine, with some hints of spice here and there.
This volume opens during Walpurgis Night, the night of a grand ball for the magical world. Chocolat and her bodyguards are in attendance, and we later find that Pierre, Vanilla, and the ogres are, as well. Pierre announces his intent to reclaim the magical world, but a mysterious figure casts a spell to neutralize the collective hostility on display. Chocolat is convinced she’s met this woman before, but alas, we don’t get to see much else from here. Continue reading
After the last volume’s climactic ending, this one… goes in a million different directions.
The showdown from volume 19 ends with Soichiro talking Reiji down. Reiji wants to kill Ryoko for inflicting suffering on him and his family. Soichiro tells him it isn’t worth it, and that he can live through whatever troubles Ryoko dishes his way. Continue reading
Three volumes to go, and it seems like Kare Kano isn’t even close to winding down.
The window into Reiji’s past remains open in this volume, and we spend the bulk of our time with Reiji as he goes off the deep end. Relatively speaking, at least.
Following the misunderstanding that Reiji and Soji had in the last volume, Reiji has started keeping to himself. Beginning in these chapters, Reiji starts to fall in with a bad crowd. In the first chapter, he seems to fall in with a crowd of bikers (?), and later on, Ryoko adds him to her clique, announcing to her friends that she’s taking him as her boyfriend… while still in another relationship. Yikes. Continue reading
This volume is basically a deep dive into the life and times of Reiji.
In the present, Reiji and Arima are still hanging out, but Reiji sends Arima home now that his time in Japan has run out. This hurts Arima’s feelings, as he came to like Reiji. Initially, he was pretty disgusted by Reiji’s dismissive, smug attitude; but after some time, he started to see things he liked in him. There’s a particularly great sequence that depicts his mother’s suicide, spliced between dialogue scenes. Continue reading
Building off of the last volume, there were some interesting developments in these chapters! I especially liked the hints of passion, Chihayafuru-style, presented towards the back end.
The volume opens mid-fashion show, and though it’s slow-going due to some mishaps (they spill grape juice on the moon jelly dress..!! drama!), it is a resounding success for their makeshift new brand, as they get some requests for new orders.
The Amars do their best to keep up pace with the influx of orders, but being amateurs, they struggle a lot. This prompts Kuranosuke to seek out a company to contract the sewing and production out to, so they can focus on design work. This introduces a cute pair of Indian expats into the mix, who give Kuranosuke a run for his money. Continue reading
This volume sees our globetrotting cast encountering the last major new character of the series – Arima’s birth father, Reiji.
It opens with Arima and Yukino spending their winter vacation at Arima’s family’s vacation home. It’s generally a pretty fluffy affair, with nothing substantial happening or being talked about within these pages. The main thing here is that Arima discovers an old piano in one of the rooms, and from there, memories flood back of… something. Also, he seems to trigger some #feelings in his father, as asking if he can use an old bag at the house nets him an unusual reaction. Continue reading