This volume sees our globetrotting cast encountering the last major new character of the series – Arima’s birth father, Reiji.
It opens with Arima and Yukino spending their winter vacation at Arima’s family’s vacation home. It’s generally a pretty fluffy affair, with nothing substantial happening or being talked about within these pages. The main thing here is that Arima discovers an old piano in one of the rooms, and from there, memories flood back of… something. Also, he seems to trigger some #feelings in his father, as asking if he can use an old bag at the house nets him an unusual reaction. Continue reading
Arima’s recovery continues in this volume, with him learning some new lessons.
As with the last volume, this one opens with some flashbacks to Arima’s abuse. Portrayed as a dream he’s having, he then awakens in a hospital bed by Yukino’s side, as he stabbed himself in the previous volume. When he awakens, Yukino gets to ask the questions she’s been trying to ask since the last volume.
There, the two finally have something of a come-to-Jesus moment. Yukino deduces that Arima has kept so many things away from her so as to not hurt her or make her worry, and only now understands that by doing all this, he’s potentially harmed her even more. Yukino calls him on that, but also says that by having him open up, she gains the means to protect him, so she’ll start to help him in that way. Continue reading
Chocolat continues to grow as a character in this volume! I think I’m starting to really like this, as it’s improved a lot over the last two volumes.
Pierre confronts Vanilla towards the beginning of this volume, telling her that she’s an ogre, and that’s why people don’t want her to win the throne. Vanilla, knowing that she recently went to the magical world, demands to read Cinnamon’s diary, as she feels Chocolat’s mother would know the secrets behind her birth. Chocolat doesn’t budge, but she knows for a fact that her mom didn’t mention anything about Vanilla’s lineage. It’s kept sort of ambiguous in the text as to what her background is; there are cuts to Queen Candy saying she will reunite the different factions in the magical world, but it’s not clear if she is an ogre or what. Continue reading
This volume was.. a pretty bleak read. Not out of issues with the quality of the story, but more for the nature of the content.
The book opens with Arima recalling incidents of abuse from his childhood, cementing the notion that his mother is not anything resembling a saint. Arima frequently appears bruised and in significant pain in these flashbacks. The way he recognizes the depth of his pain, yet still accepts and seeks his mother’s love is heartbreaking. Continue reading
Building somewhat on the goodwill of the last volume, the chapters of this volume of Kare Kano continue to narrow the focus on Arima’s family. Here, the key player is Arima’s birth mother, a woman named Ryoko.
Ryoko approaches Arima at his family’s house, which initially alarms him, to the point of striking her. Despite his family’s warnings for her to stay away and not get involved in his life, Arima is drawn to her, so he decides to stay in touch. Continue reading
Kuranosuke’s moneymaking schemes continue in this volume, and in fact, they get taken up a notch.
Tsukimi got a taste of fashion design in the last volume when she helped design a jellyfish dress using some of Kuranosuke’s mother’s effects. Though she makes a stunning piece, the dress isn’t made for a particular purpose.
This changes when Kuranosuke and the Amars crew go to a local play, for which a friend of Kuranosuke’s is part of the crew. Kuranosuke immediately remarks that he couldn’t follow the plot because the costumes were so awful, and he enlists the Amars to design costumes for the production. Whereas the first dress was just made my Tsukimi and Chieko, now, with an order of 24 dresses for the production, all hands have to be on deck. They also enlist the help of a friend of Chieko’s to make sure their seams are proper, since Chieko gave them flack for that the last time. Continue reading
It appears the Arima arc Tsuda spoke of a few volumes ago has begun for real this time.
The series has fast-forwarded to senior year for Arima, Miyazawa and company, and there’s a lot of talk about what comes next for our respective characters. Kazuma is still going strong with his band, Tsubasa does modeling work for Kazuma’s group, Maho plans to move on to medical school, Tsubaki and Tonami don’t intend to move on to higher education, and Miyazawa is thinking of going to law school.
A lot of this feels inconsequential, though, as the bulk of this volume reintroduces Arima’s family. Whereas before Arima would just take the abuse and internalize his feelings of worthlessness, now he is 100% more vindictive, and he’s out for revenge. A lot of these chapters depict the abuse he received as a kid – being tied up and left in a basement for his family to find him was particularly disturbing – and juxtapose that with Arima’s accomplishments in the present day. Continue reading
This volume continues the plot thread that I don’t care about, and introduces another one that isn’t much better, so you know where this is going. Continue reading
This volume contains a healthy mix of stuff – part secondary character growth, part karuta action, part internal strife for our heroine.
Fresh off the matches between her clubmates, Chihaya has decided to support Taichi at a tournament in a different city. She also runs into Arata there, who’s also competing. Taichi and Arata have some exchanges, and Arata passes his e-mail to Taichi, in the hope that it’ll reach Chihaya. In the first volume, there was some minor tension between these two over their romantic feelings for Chihaya. These feelings, mostly unremarked upon in the intervening five volumes, suddenly surge back to the surface when Arata comments on the physical distance between them. Continue reading